FIFTY SHADES OF GREY
EL James
EL James
There are erotic novels and there are
the more blatant versions, the straight-out porn books. And then there is smut.
Walking a fine line between the two is the Fifty Shades Trilogy, of which the
second and third parts – Fifty Shades Darker and Fifty Shades Freed, the latter
making little sense as a title, if ‘meaning’ is what is relevant – are expected
to feature in bestseller lists, though they may not climb as high as this one,
Fifty Shades of Grey. Nicely gender indiscernible in the writer’s name, the book
has done phenomenally well already, hitting top of the mass market fiction
charts and fourth in the official top 50 list across all genres in the UK. And
it has managed to be first on the e-book downloads roster determined by the New
York Times Bestseller list. So there must be something special about it, right?
Well, maybe not. The books tell the
steamy story of the ‘romance’ – for lack of any other suitable word – between
Christian Grey, a successful young entrepreneur with a taste for S&M (BDSM,
really), and a literature student, still a virgin, Anastasia Steele. It all
begins when the girl takes her friend’s place to interview Grey. And things
develop fairly fast, escalating from a formal interview in an office to a
rather less than formal exploration of possibilities in Grey’s bedroom, his
bathtub and elsewhere, with the dominant-subservient relationship established
early on. After a point the action, if one may call it that, gets repetitive
and predictable, with the heroine breathing heavily and calling upon the Divine
in various ways (“Holy crap”, “Holy s***” and “Holy F***” being some) to save
her…from what? Herself? Her newly discovered sexual synapses? Or the man who
shows her the way to carnal bliss? Or perhaps that devilish contract she
wonders why she signed, even as she learns to enjoy all the minor clauses and
fine print it covers.
Of course, this is not literature, far
from it. The tone wavers from being modern and street-smart-ish to outright
juvenile and inane, with instances like “Our fingers brush very briefly, and
the current is there again, zapping through me” our heroine gasps. “I feel it
all the way down to somewhere dark and unexplored, deep in my belly.” She
“desperately” does the expected, “scrabble around for my equilibrium”. And even
as Anastasia is doing her scrabble thing, Christian is saying “Please”, his
tongue caressing her name just before he “strides with renewed purpose” out of
the store, leaving her a “quivering mass of raging female hormones”. Through
the book, things progress and that same tongue does a lot more than just caress
her name, while those raging hormones…err…rage on through endless chapters of
graphically and anatomically descriptive prose.
This one does not have any of the class
of the erotica or Anais Nin, or even Henry Miller, and what is perhaps the most
sensual writing ever in the Song of Songs from Genesis is like a top quality
diamond next to a pebble from under a road repairman’s boots. The author admits
to being inspired by the lead characters from the Twilight series, sexed up and
served with a huge helping of fantasy. And even as Anastasia exclaims, “I’ll be
a monkey’s uncle” an uncountable number of times in the first few pages of the
book, you, as reader, start wondering how she will manage to keep monkeying
around for another two volumes in the series. And, honestly, why you would
bother to read them to find out!
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