It's the last day of the year, the end of 2009. I am hoping that 2010 is better rather than worse, with lots of new friends, new work, exciting times and buckets full of joys great and small. My last day of the year promised good things and if they all happen, I will be a very pleased human indeed!
So, God (or whoever the power-that-is may be) bless us all and make us live a healthy, happy and humour-laden life, whoever and wherever we are and will be.
On that confused note, I bid adieu to 2009 and resolve to be a better little blogger in 2010.
Cheers and all the best, folks!
Thursday, December 31, 2009
Saturday, December 26, 2009
Long time...
...no write. Yes, I know. When I started this blog, I was working full time, newly managing a home and trying to deal with a lot of emotional fallout from life at the time. Today, not working except from home, not doing much because everything I do has been ruthlessly organised and happy with it all and having the time to do more, I am not able to find the time or the leisure (call it 'mindset' if you will) to write a blog. Or maybe I believe I have nothing much to say, which is indeed the case, oddly enough. Life settles into a kind of peace sometimes and you don't want to say anything that would conceivably disturb it, I think. And I think I have found that place in my mind and soul to be at peace...at last.
I went to see a kind-of-friend of mine recently. He is an artist that is on my sms-list and is pretty well known and respected. I first interviewed him for DNA, the newspaper I once worked with, some years ago and just liked him and his earnestness, as well as his passion for his work and his inspiration. The fact that he was young, articulate, wrote well and was a fabulous artist helped, of course. So when Times Crest asked me to speak to him about his latest show due soon in London, I agreed, without any hesitation. Talking to Jitish Kallat - yes, it was him...he? - is always a delight. He challenges even as he is challenged, to think, to analyse, to put in words, whatever it is that we are speaking of at that moment. Best of all, I rarely need to explain what I am asking about - a few words, even incoherent, and he leaps in with his interpretation. From there, the conversation inevitably travels to points not even thought of in my brief to myself when I planned the interview. And more comes out of the time spent in his company than I would ever have expected. Which is the best aspect of the meeting, and my acquaintance with him.
Another friend - and this one is firmly classified as one, since the bond is not just mutual, but long-standing - was in the city recently for his show, this time of photographs, a kind of documentary of a disaster some years after it happened. Samar Jodha, well known in both commercial and artistic realms as a photographer of much note, has been a friend since we met again serendipitously many years ago in Delhi. We first came across each other when I talked to him for a feature about a book on Jaipur that he had collaborated on and then again when I was asked whether I wanted to be involved in a book on India. In Delhi, we talked some, spent lots of laughter-time together and made friends. This time, the chemistry had changed. It was far more serious, perhaps the fallout of growing up, sometimes taking the hard route to there. We spoke of his work, his need to do more, his possible future and, as will always happen, the past, the history that had brought us both to the point where we sat across a table from each other and saw ourselves as responsible adults with definite directions and goals. It was new and exciting in its own way, even though I mourned the passing of a time that was sunnier, happier, lighter and in a way more fun.
And since then, I have met new people, rediscovered some I had almost forgotten and felt the new excitement of anticipation, to see what they are all about and how they could fit into my life as it is now. They could be friends, some were once friends, colleagues, classmates, those who were part of my childhood. Now, as a grown-up, how do they matter, where do they link in, who have they become? A new adventure, a new sense of knowing, a new joy, perhaps? Who knows! As the cliche goes, only time...and space, of course...will tell.
I went to see a kind-of-friend of mine recently. He is an artist that is on my sms-list and is pretty well known and respected. I first interviewed him for DNA, the newspaper I once worked with, some years ago and just liked him and his earnestness, as well as his passion for his work and his inspiration. The fact that he was young, articulate, wrote well and was a fabulous artist helped, of course. So when Times Crest asked me to speak to him about his latest show due soon in London, I agreed, without any hesitation. Talking to Jitish Kallat - yes, it was him...he? - is always a delight. He challenges even as he is challenged, to think, to analyse, to put in words, whatever it is that we are speaking of at that moment. Best of all, I rarely need to explain what I am asking about - a few words, even incoherent, and he leaps in with his interpretation. From there, the conversation inevitably travels to points not even thought of in my brief to myself when I planned the interview. And more comes out of the time spent in his company than I would ever have expected. Which is the best aspect of the meeting, and my acquaintance with him.
Another friend - and this one is firmly classified as one, since the bond is not just mutual, but long-standing - was in the city recently for his show, this time of photographs, a kind of documentary of a disaster some years after it happened. Samar Jodha, well known in both commercial and artistic realms as a photographer of much note, has been a friend since we met again serendipitously many years ago in Delhi. We first came across each other when I talked to him for a feature about a book on Jaipur that he had collaborated on and then again when I was asked whether I wanted to be involved in a book on India. In Delhi, we talked some, spent lots of laughter-time together and made friends. This time, the chemistry had changed. It was far more serious, perhaps the fallout of growing up, sometimes taking the hard route to there. We spoke of his work, his need to do more, his possible future and, as will always happen, the past, the history that had brought us both to the point where we sat across a table from each other and saw ourselves as responsible adults with definite directions and goals. It was new and exciting in its own way, even though I mourned the passing of a time that was sunnier, happier, lighter and in a way more fun.
And since then, I have met new people, rediscovered some I had almost forgotten and felt the new excitement of anticipation, to see what they are all about and how they could fit into my life as it is now. They could be friends, some were once friends, colleagues, classmates, those who were part of my childhood. Now, as a grown-up, how do they matter, where do they link in, who have they become? A new adventure, a new sense of knowing, a new joy, perhaps? Who knows! As the cliche goes, only time...and space, of course...will tell.
Tuesday, December 01, 2009
Sari state
I was at a wedding with my father the other night and had more trouble with my clothes than I have ever had in my whole life, that famous time where my buttons kept popping open notwithstanding. (That story later in this blog, I promise.) It was a Sunday evening and the outing had been planned for some days. It was a must-do, social obligation and all that good stuff. So, in spite of stinkingly bad colds and coughs, something decent to watch on television (which has to be the lamest excuse ever!) and little inclination to dress up, put on makeup and heels and go out for dinner long after dinner is usually done and dusted in our house, we did just that. Father was natty in his silk kurta, while I did my best to look grown up and dignified in a flame-orange and gold silk sari.
The sari was one we had bought many, many years earlier, for a stage performance of some classical dance creation in which I was playing a reluctant role, mercifully fairly minor. It had been folded and stitched up and then unstitched and ironed out, with the requisite amount of sweat and swearing. So it had been through the wars, in a manner of speaking, and certainly deserved to be retired. We had bought it at a popular sari store in South Bombay (should I say ‘Mumbai’ and be politically correct, or ‘Bombay’ and be happy?) that was known for its annual sales that were so crowded with wall-to-wall women that neither my mother nor I ever had the courage to venture within. When we went, we had the shop practically all to ourselves and the salesman had outdone himself in the oiliness department. We bought this one as being most stage worthy and innocuous as far as glitter was concerned, a sari that could be worn later on a more normal occasion like a wedding or a concert. It had the shine the stage demanded, but not the vulgarity and showiness that we disliked. And after that one use, it had stayed in my mother’s closet for an unaccountably long time.
But this particular wedding needed a touch more obvious glitz than my usual lack of it. So I planned long ahead of time, checked the saris for the right one, found it, tried on the blouse and had it altered to fit my ever changing shape and believed I was all set and ready to get dressed for the day…evening. Somewhere along the way, both my father (who is very savvy about these things, having had two women in his family to watch and deal with) and I forgot one important aspect of the whole thing – to check the sari. In blissful ignorance, the interval between discovery and use soon passed. It was time to get ready. My jewellery was set out, my makeup was put on, my heels were tested and the cat was soothed. Now to get dressed.
The blouse fit nicely, the petticoat was perfect. I unfolded the nicely ironed sari and started winding it around me. Tucking in the bits and pieces, I pulled gently to level it at the floor. There was an ominous ripping sound and I felt a tiny tear develop in the wideness of the border that was wrapped around my waist. Oops, I thought to myself, now that will need darning. And paid no more attention to it. But gradually, as the evening wound on, more of the heavy gold border started shredding. Ever so gently, ever so silently (or else there was too much noise at the venue for me to hear anything. Which was a good thing, since no one else could hear it either!), I was developing an avant garde drape that could have been outré a couple of years ago, straight off the Paris runways. Mercifully, there was enough fabric for me to manage to hide every tear that I could see. What I could not find, I did not worry about, I had enough to make my sartorial senses go into a paranoid tizzy.
That sari is now history. Tragically, the silk of the body is fine…or is it? So fate and fashion will take the length of fabric in hand and help me create something wearable from the flame-orange yardage, which is really all that can remain after that particular disaster. But that, too, will need to be carefully checked before it is planned for. Another fashion flop will undo me, literally!
(PS: Some years ago I was at a Miss India show wearing a lovely cream tussar kurta haute from the studio of a reputed designer. Every few minutes, the buttons would pop free of their tiny silk loops and leave various bits of me intriguingly almost on display. Luckily a friend was on ‘button watch’ for me and managed to preserve what was left of my modesty. The outfit has not been worn since, but has had its button-blooper repaired.)
The sari was one we had bought many, many years earlier, for a stage performance of some classical dance creation in which I was playing a reluctant role, mercifully fairly minor. It had been folded and stitched up and then unstitched and ironed out, with the requisite amount of sweat and swearing. So it had been through the wars, in a manner of speaking, and certainly deserved to be retired. We had bought it at a popular sari store in South Bombay (should I say ‘Mumbai’ and be politically correct, or ‘Bombay’ and be happy?) that was known for its annual sales that were so crowded with wall-to-wall women that neither my mother nor I ever had the courage to venture within. When we went, we had the shop practically all to ourselves and the salesman had outdone himself in the oiliness department. We bought this one as being most stage worthy and innocuous as far as glitter was concerned, a sari that could be worn later on a more normal occasion like a wedding or a concert. It had the shine the stage demanded, but not the vulgarity and showiness that we disliked. And after that one use, it had stayed in my mother’s closet for an unaccountably long time.
But this particular wedding needed a touch more obvious glitz than my usual lack of it. So I planned long ahead of time, checked the saris for the right one, found it, tried on the blouse and had it altered to fit my ever changing shape and believed I was all set and ready to get dressed for the day…evening. Somewhere along the way, both my father (who is very savvy about these things, having had two women in his family to watch and deal with) and I forgot one important aspect of the whole thing – to check the sari. In blissful ignorance, the interval between discovery and use soon passed. It was time to get ready. My jewellery was set out, my makeup was put on, my heels were tested and the cat was soothed. Now to get dressed.
The blouse fit nicely, the petticoat was perfect. I unfolded the nicely ironed sari and started winding it around me. Tucking in the bits and pieces, I pulled gently to level it at the floor. There was an ominous ripping sound and I felt a tiny tear develop in the wideness of the border that was wrapped around my waist. Oops, I thought to myself, now that will need darning. And paid no more attention to it. But gradually, as the evening wound on, more of the heavy gold border started shredding. Ever so gently, ever so silently (or else there was too much noise at the venue for me to hear anything. Which was a good thing, since no one else could hear it either!), I was developing an avant garde drape that could have been outré a couple of years ago, straight off the Paris runways. Mercifully, there was enough fabric for me to manage to hide every tear that I could see. What I could not find, I did not worry about, I had enough to make my sartorial senses go into a paranoid tizzy.
That sari is now history. Tragically, the silk of the body is fine…or is it? So fate and fashion will take the length of fabric in hand and help me create something wearable from the flame-orange yardage, which is really all that can remain after that particular disaster. But that, too, will need to be carefully checked before it is planned for. Another fashion flop will undo me, literally!
(PS: Some years ago I was at a Miss India show wearing a lovely cream tussar kurta haute from the studio of a reputed designer. Every few minutes, the buttons would pop free of their tiny silk loops and leave various bits of me intriguingly almost on display. Luckily a friend was on ‘button watch’ for me and managed to preserve what was left of my modesty. The outfit has not been worn since, but has had its button-blooper repaired.)
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